Showing posts with label Disney. Show all posts
Showing posts with label Disney. Show all posts

Friday, June 23, 2017

REVIEW: As Old As Time by Liz Braswell (Twisted Tale #3)

As Old As Time
Author: Liz Braswell
Publisher: Disney Press
Genre: YA Fantasy

Rating:
2/5 stars
PG: for some violence, some disturbing images, and for politics that turn people violently against a specific class of people

Summary:
What if Belle's mother cursed the Beast?

Belle is a lot of things: smart, resourceful, restless. She longs to escape her poor provincial town for good. She wants to explore the world, despite her father's reluctance to leave their little cottage in case Belle's mother returns—a mother she barely remembers. Belle also happens to be the captive of a terrifying, angry beast. And that is her primary concern.

But Belle touches the Beast's enchanted rose, intriguing images flood her mind—images of the mother she believed she would never see again. Stranger still, she sees that her mother is none other than the beautiful Enchantress who cursed the Beast, his castle, and all its inhabitants. Shocked and confused, Belle and the Beast must work together to unravel a dark mystery about their families that is twenty-one years in the making.



The Review:
What sounded great in concept was disappointing in execution. The 'what if' twist of this tale wound up throwing off the entire chemistry of the story, without infusing it with enough chemistry of its own to carry itself.

As Old As Time did not work for four big reasons:

1. At its core, this is not a Beauty and the Beast story -twisted, retelling, or otherwise. This is Beauty and the Enchantress. The ‘what if’ twist of this story puts Belle’s mother as the Enchantress, which is an interesting idea and could be a very good story on its own, but it completely changes the dynamic of what is supposed to be a Beauty and the Beast story. Belle’s entire focus in this version is learning about her mother while the Beast is just ...there. He is ultimately a clue in the mystery of the Enchantress for Belle and serves little other purpose.

2. There is very little chemistry between Belle and the Beast, and what chemistry there is fairly screams ‘besties’, not romantic interest. This is in no way a love story, even though the characters somehow wind up falling in love somewhere along the way. I also felt both of them -and a lot of the other characters- were portrayed uncharacteristically.

3. Braswell tries too hard to fit this into a real world context, rather than letting the Disney version of the story exist in its own world. She did the same thing with Once Upon A Dream, which I had very mixed feelings about there, but it’s much more pronounced here and it really does not work for me. The story necessitates explaining magic plausibly in a historical context long after belief in magic had largely faded; an Enchantress who can go around cursing castles and princes; and why that magic is no longer the norm in Belle's world -all within a very short time frame. If this had been an original story by Braswell I would have liked it more, because I did find the changes she made interesting, but I didn't like them in the context of the existing tale or the time period it resides in.

4. Braswell at once tried to keep almost religiously true to the original while doing something completely different at the same time. What is left is a weird mesh of original content that gives way to conversations and situations pulled directly from the film, duplicated almost word-for-word and then peppered with inexplicable inconsistencies as Braswell tries to fit them into the context of her story.
For example, when Belle feigns interest in the library to slip past Lumiere and Cogsworth to investigate the West Wing: in the movie, they're merrily fooled into thinking she's right behind them; in the book, Cogsworth and Lumiere see right through her deception, but nothing in the situation changes to excuse the inconsistency. The moment is exactly the same as in the movie, but the characters' reactions change regardless.
Maybe I'm being nit-picky, but this happens continually throughout the story. It really bugged me. It feels like Braswell twisted her retelling into knots trying to fit it into the mold of the original, instead of vice versa, and the result is very unnatural and jarring. Much of the story feels forced, most of the character interactions are awkward, and the story takes on the darker flavor of a tragedy that pushes the light-hearted tone of these beloved characters completely off kilter.

In the end, it's one redeeming quality is in creating an interesting character in Rosalind, Belle's mother, but I felt that she too fell victim to the forced nature of the story; again, if this had been an original story -or even a Twisted Tale that took more liberties- I probably would have liked it better.

Unfortunately, I think this will prove to be my last foray into Braswell's Twisted Tales. I've read all three for intriguing twists and -while Once Upon A Dream was the best of the bunch, and a story I still think Braswell did a pretty good job with- the series as a whole has been mostly disappointing so far.


Check out my reviews for the rest of the series!
#2 Once Upon A Dream 

Have you read any of the Twisted Tales?

Wednesday, July 6, 2016

Shelf Control #3 | Frozen Heart by Elizabeth Rudnick

Shelf Control
hosted by Lisa @ Bookshelf Fantasies
Shelf Control is all about the books we want to read — and already own! Consider this a variation of a Wishing & Waiting post… but looking at books already available, and in most cases, sitting right there on our shelves and e-readers.

Frozen Hearty by Elizabeth Rudnick

Synopsis (via Goodreads):
Told in alternating chapters from both Anna's and Hans' perspectives, A Frozen Heart takes a sophisticated look at events of Frozen, exploring the couple's backstories, motivations, and doomed relationship. 

How I got it:
This was a Hanukah present picked out by a few of my Frozen-loving niblings. (You know who you are!)

When I got it:
This would have been December 2015

Why I want to read it:
Aside from the promise extrapolated from me by their mother to read and review any book they sent me, I'm very interested to see something from Hans perspective. While I didn't love-love the film, I liked it well enough, and I always love to see things told from different perspectives. I'm interested whether to see if Hans retains his villainy in this version, or if his backstory changes him into a misused or misunderstood bad guy. Though, honestly, I'm getting really tired of those sympathetic origin stories. They work for some characters, but all right already! Can we just keep the villains villains?

Sorry. Tangent over. :P

What are your favorite or least favorite villain 'back stories'?
What book do you own that you need to finally just read already?

Monday, March 21, 2016

ARC REVIEW: Once Upon A Dream by Liz Braswel (A Twisted Tale #2)

Once Upon A Dream
Liz Braswell
A Twisted Tale, #2
Young Adult
Disney Book Group
Release Date: April 5th 2016
4/5 stars

I'd like to thank NetGalley and Disney Book Group for giving me access to an ARC of this book in return for an honest review.

If you haven't heard about the Twisted Tale series, here's the low down. Disney and author Liz Braswell are taking the stories of classic Disney films and giving them a twist. (You can check out my review for the first book, A Whole New World, in which Liz Braswell shows us what might have happened if Jafar had gotten hold of the Genie's lamp at the Cave of Wonders.)

I LOVE THIS IDEA. Being a fan of fairy tale retellings, Disney, and 'what ifs', it's no wonder. But I've been burned by Disney retellings before (Fairest of All) and, while A Whole New World was fun, it did fall a little short of the mark for me, getting only 3 stars. Add to that the...interesting take on Sleeping Beauty we saw in Maleficent and, yeah, I was a little wary when I started Once Upon A Dream.

This retelling is fantastic.

I didn't realize it at first, because the beginning of the book -specifically Aurora's situation- threw me off guard. While I liked Maleficent as a story, I did not like it as a branch off or the 'true' story of Disney's Sleeping Beauty and I honestly thought this was going to be much, much worse. After about 50 pages of banging my head against a wall, the twist came (setting up the entire novel, might I add) and all was saved. So, if you don't like this in the beginning, believe me when I say just KEEP READING.

What really made this story for me was how Braswell essentially took every story flaw and every pointed remark anyone has probably ever made about Sleeping Beauty and its characters and turned it into story fuel. Like, why on earth would the King and Queen think it would be a good idea to send their child to live with fairies for sixteen years?

I'm not terribly picky about the animated film, because it's something I've grown up with. It's a classic. But I love that Braswell took the challenge to infuse this story with good character development and bring us a princess finding her way from damsel in distress to competent young woman.

Unlike A Whole New World, which presented the twist at nearly the beginning of the Aladdin story, Once Upon A Dream doesn't begin until the moment Prince Phillip kisses his princess awake. That's when the princess doesn't wake up. I think I preferred the twist toward the end, because it is able to build off the source material we're familiar with and this story felt much more natural than its predecessor.

Braswell tackles Aurora's personality with zeal; she doesn't give the princess a face lift or try to mock up an existing personality that could have been hiding somewhere in the film. She instead takes the idea that Aurora has literally done nothing with her life and gives us a princess who suffers from lethargy, who is just beginning to realize she doesn't know much about anything, and is possibly even struggling depression. Braswell doesn't jump right in giving Aurora all of these struggles; it's a slow development on the princess as she tries to learn who she is and what the world is really like outside of her sheltered upbringing. 
This take on Aurora's character is not the only thing going for this book, but is certainly the driving factor of my joy in it. Braswell masterfully bridged the gap between yesterday's 'damsel in distress' and today's 'empowered woman', without missing a beat of teen angst on the princess's journey to find herself.

Beside Aurora, Maleficent's character was equally satisfying. Braswell manages to shine a light of humanity toward the Mistress of All Evil while still keeping her completely true to the original film and all her, well, evil glory. Here's a stamp of Villain Approval, Liz Braswell, for showing us you can craft a true villain whom we can sympathize without giving them some misunderstood back story.

Phillip's character irked me a bit initially, just because he acts a little too much like a modern teenager, especially his vocabulary, and that doesn't jive with the Phillip I remember. He did grow on me through the book, so I gave him a pass.

The world building inserted elements like references to the Catholic church and King Arthur legends that landed it squarely in a European setting. I have not yet reached a verdict about this addition.
On the one hand, alluding to such familiar things helps to ground it closer to our reality. Sleeping Beauty did originate in Europe, so it makes sense to treat it as some extension of Europe.
On the other hand... I always picture fairy tales taking place in a very specific world. (There's a reason the show Once Upon A Time refers to the 'fairy tale world' broadly as the Enchanted Forest.) Placing these seeds of reality -like morning and afternoon prayers and using garlic to ward off demons- took this out of the magical world I was familiar with and slammed it down somewhere between the Enchanted Forest and reality.
So these allusions were both kind of cool and kind of jarring at the same time. There aren't very many instances, so it's not a make or break kind of detail.

The plot is intriguing and captivating. For reasons I won't spoil, the entire story is centralized on and interwoven with Aurora's character development, which will deepen the layers of any story. While Braswell's Aladdin retelling left me a little underwhelmed, she expounds on so many unanswered, unchallenged, or unexplained elements in the Sleeping Beauty tale that she not only made this retelling compelling and interesting interesting, but within its pages she actually convinced me it was a story that needed to be told.

My one true disappointment lies with the 'happily ever after' of this story, the quote/unquote epilogue. (Don't worry -the ending is good. It's solid, satisfying, and exactly what the tale needs.)
I am a sucker for the romantic side of fairy tales. Love At First Sight, True Love's Kiss, Love Conquers All. Braswell messes with each one of these fairy tale staples; for the most part, it was fun watching these ideals squirm under realistic scrutiny, but it was really the closing lines of the book that got under my skin, because it stepped a little too far out of the fairy tale box for my liking. I mentioned before that Braswell masterfully bridges the gap between 'damsel in distress' and 'empowered woman', but I think in the last pages she pushed too much on the empowerment side and left the fairy tale soul of the story short.

This bit sounds harsh, I know, but keep in mind that despite this ending disappointment, the book still scored 4/5 stars and gets high-praise for a fantastically done retelling.

I could say a lot more about Once Upon A Dream, but I've probably said more than enough. Suffice to say, Braswell works a magical spin on Sleeping Beauty that works and satisfies. It's definitely worth reading.

Bonus: Lana Del Rey's chilling cover of Once Upon a Dream from the Maleficent soundtrack makes the perfect listening music for this book, not only for its obvious correlation to Sleeping Beauty, but because its foreboding and creepy sound make a great pairing for the overall plot.

What's your favorite Sleeping Beauty story?

Thursday, October 15, 2015

Amanda and the Star Wars Summer | Episode III

Amanda & the Star Wars Summer

Who can't get enough Star Wars? This girl, that's who.

You can watch the video in all it's eccentric and ecstatic glory, but the high points are all covered below as well.





The Dark Force Rising by Timothy Zahn
5/5 stars

The second book in the Thrawn trilogy did not disappoint. I was a little concerned because when I finally got into the first book -Heir to the Empire- it was an audio. With me, some books only interest me on audio, and vice versa.

GOOD NEWS!

I had no problems whatsoever getting into this book, even in spite of its lengthy sections of prose. (I'm totally a dialogue girl.) It's a fantastic continuation and I'm excited to see how Zahn wraps everything up.


The Phantom Menace by Terry Brooks
3.5/5 stars

This, to me, was fascinating. It's been long enough since I've watched this movie that parts of it felt new -and I'm not just talking about the extra content added to the book.

This novelization gives us a chance to better understand characters, backstory, and the events that unfold. I particularly like seeing more things from Anakin's point of view and the relationship between Qui Gon and Obi Wan.

[Warning: JarJar Binks is still annoying.]



Disney is kind of brilliant with their merchandising...

R2-D2 Bop-It! and Millennium Falcon-shaped Star Wars Catch Phrase.
Seriously.
Disney has assigned some kind of Jedi Master to their merchandising team.

Plus, a STAR WARS THEME PARK
If you haven't heard about this, read the announcement here because it sounds freaking fantastic! I fangirl way more in the video but what you need to know is:
  • Designed to look like an alien world
  • Interaction with droids and aliens
  • YOU CAN FLY THE MILLENNIUM FALCON
Proceed to freak out.

Before I let you go, two questions:
  • How do you feel about Disney's involvement? Have their fantastic Marvel movies granted you my same outrageous optimism or are you worried they'll screw it up?
  • Summer is over and 'Amanda and the Star Wars Fall' just doesn't have the same ring, but I love using my Dramatic Title Voice. New title suggestions?

Tune in next time to hear my opinions on the 'Journey to The Force Awakens' series, the new canon for the Star Wars Universe.

As always

There's more where this came from!
Amanda & the Star Wars Summer

Thursday, October 1, 2015

Disney Songs Book Tag + Story Publication!!!

Today's the day! You can finally read my short story, The Curious Concoctions of Thornton Thoreau, in this month's issue of Bards & Sages Quarterly. You can buy a copy here. Woohoo! This is one of my favorite stories and I'm so excited that I can share it with you.

Now back to our regularly scheduled programming.

Being the Disney fan that I am, I could not resist doing this tag video over on YouTube.


Questions:
1. A whole new world - Pick a book that made you see the world differently.
2. Cruella De Vil - Pick your favorite villain.
3. I won't say I'm in love - Pick a book you didn't want to admit you loved.
4. Gaston - Pick a character that you couldn't stand.
5. Part of your world - Pick a book set in a universe you wish you could live in.
6. A dream is a wish your heart makes - describe what the book of your dreams would be like
7. Someday my prince will come - What book character would you marry if you could
8. I see the light - Pick a book that changed your life.
9. When you wish upon a star - Pick a book you wish you could reread for the first time.
10. I just can't wait to be king - Pick a book with some kind of monarchy in it.
11. Colors of the wind - Pick a book with a beautiful colorful cover.

It looks like this tag was started by Aria's Books. Fantastic job, Aria!


And hey, this tag doesn't have to exist on YouTube alone. It will be easily adapted for a blog post, so I'll tag you too, you blogger dying to do this!

Thursday, July 9, 2015

ARC REVIEW: A Whole New World by Liz Braswell (Twisted Tale, bk 1)

A Whole New World
(Twisted Tale, bk 1)
by Liz Braswell
Retelling/Disney/YA
3/5 stars
Release date: September 1 

I'd like to thank NetGalley and Disney Book Group for sending me an ARC in return for an honest review.

Jafar gets the lamp? A classic story on its head? Officially Disney? I did not hesitate to request this. But I will admit, after the fiasco that was Fairest of All, a retelling of Snow White from the Wicked Queen's point of view that I had major issues with that you can hear all about here, I wasn't sure it would be any good.

The first 5 or 6 chapters are essentially the same as the beginning of the movie, though the author did add in context to beef up the story and connect some of the new dots she injected into the storyline, like hounding in on Princess Jasmine's cluelessness to the plight of the poor and her blossoming determination to basically make Agrabah a utopian society.

 
Overall, this was a fun story. It's always interesting to see a classic twisted around. For the most part I was entertained. It was very, very different from Aladdin, which was kind of the point, but it wasn't just different in story. The characters developed in different directions, it concentrated a great deal on the politics and social structure of Agrabah, and was a lot more serious than the movie. This is not really intended for kids. The tone is much darker and takes on serious issues. Not quite as many laughs.

Many of the major characters didn't have big roles, like the Carpet and Abu, which I totally understand -it's really hard to write good, non-talking animal sidekicks!- but at the same time, I missed them. The Carpet and Abu were there, mind you, they just weren't there often. Unfortunately, because the Genie is in the hands of Jafar, we also don't get as much as him in the story, either. He still gets in one-liners and Genie-ish jokes on occasion, but he's just not as fun and upbeat. *sad face* The biggest change I noticed is that Jasmine basically became the main character. Aladdin has a big supporting role, but this is all about Jasmine. She's the most important piece in this puzzle, the one who gets things moving. She's the one who starts the revolution, for crying out loud! Instead of Aladdin becoming a prince and stepping into her world, Jasmine is thrown into the ranks of the street rats -introducing us to some fun new and interesting characters- and becomes a heroine.
   
One of the things I really liked was Rasoul, the captain of the guards. You know who I'm talking about. This guy. This Rasoul is depicted as a lawman determined to uphold the law but also possessing a good amount of empathy. He is referred to as 'a big, stupid rock of morality', a description I just love to bits. His personality clashes drastically with the guy I remember from the movies -who chains Prince Ali Baba and throws him off a cliff at Jafar's behest- but I didn't care. I liked him too much.

I felt Jafar was dealt an injustice in the climax -parts of his downfall really conflicted with his character for me and I feel it cheapened his evilness. He could have had a better -not necessarily demise, but more his reaction when confronted with his downfall. I feel that he had a very ignoble end, and not in a good way.

The writing was mediocre, and the story sometimes...bizarre. I won't lie. There's some weird stuff going down. It's fun to see a Twisted Tale but it also makes you very nostalgic for the original. Don't take this one too seriously; it might destroy your childhood. There were several references to the movie -made mostly in wishful thinking by characters about 'what could have been'- and one off-handed comment about a staff that maybe grants access to an all-powerful oracle, a la Aladdin and the King of Thieves, which I loved growing up.

I give A Whole New World by Liz Braswell 3 out of 5 stars. It could have been better, but it wasn't terrible. (Just bizarre.) It was interesting enough that I would check out future Twisted Tales to see what will happen to other Disney classics.

Monday, March 16, 2015

My Thoughts on Frozen

This has been sitting in my draft box for ages, but with the recent announcement of a sequel, I figured it was a good time to polish it off.


Pros:

The sister-based storyline was such a refreshing change. Don't get me wrong. I'm a hopeless romantic. I love all the Disney princess movies. I don't have issues with the traditional storyline, but seeing a story revolving around the relationship of two estranged sisters was a welcome breath of fresh air, much like Pixar's Brave, which so lovingly focused on a mother/daughter relationship.

My favorite Frozen song isn't actually from the film. It was cut during production due to an evolving storyline, but fortunately can still be found on the deluxe soundtrack (and YouTube). Here I have to mention how much I loved so many of the songs in the movie. Not just Let It Go, but Frozen Heart (goosebumps galore), Love Is An Open Door (SANDWICHES!), etc. The lyrics feel clever and original and unexpected. They're also full of humor and references for today, which we'll see in time whether they'll become dated or classics. Loads of kudos to husband/wife duo Robert Lopez and Kristen Anderson-Lopez for so many fun songs.

Life's Too Short is a duet between Elsa and Anna, just after Anna has come to her sister's ice palace. Starting off, it's all about the two of them reconnecting. Elsa gets to be her true self, and Anna finally gets to understand the distance between them for so long. It's a wonderful moment of bonding and sisterly devotion, and then...well, then things come to a boil. Anna and Elsa get to hash out all their issues and frustrations and it all rhymes and it's such a realistic fight between sisters. It's so human and so funny and so absolutely wonderful


The first guy isn't the right guy. I've seen and heard so many different complaints about Disney love stories -that they're too perfect or convenient- that it was a lot of fun to see Disney mess with their standard. It was also a great plot twist.

Plus, this:

http://31.media.tumblr.com/fb4c5940955d99143f5895aaa535cbb0/tumblr_mzxlklm78n1rwpq7qo5_1280.jpg 

The Foreshadow Ninja has been here!

Cons:
 
Olaf. Seriously. I hated this little snowman. Most of his jokes were terribly juvenile and I felt like it degraded the whole film. Every time my sister sees him she wants to rip him apart. She couldn't even make it through the movie a second time.

The film honestly would have been better if this character were eradicated. It didn't really need the extra comedic relief because, while the story line could get heavy, Anna's personality was always upbeat and chipper, Kristoff was eccentric enough to keep us laughing (or wincing), and when that didn't work Sven would slip on the ice or try to eat snow flakes.

Olaf's only good scene is the instant he says 'Some people are worth melting for.' Heartwarming, sure, but I could have lived without it if it meant I didn't have to put up with the annoying snowman.

https://s-media-cache-ak0.pinimg.com/236x/48/47/c2/4847c2b0d27738ea7a76770f9d095286.jpg

Juvenile humor also seemed to populate a lot more of the jokes in Frozen than, say, Tangled or The Princess and the Frog. This was Olaf, but also the trolls added to it. (Fixer-Upper is probably the only song I don't like from the film).

I get that I'm essentially calling out a juvenile film for having too much juvenile humor. I also get that Disney's targeting of the juvenile crowd is probably another reason the movie was such a huge success. But since I'm sharing my opinion here, I'll go on the record saying I think it was a hindrance to the film's quality, not a help.

In the end:

Down to the big cheese. Overall, I really enjoyed 'Frozen'. It's a fun movie. It's a good movie.
On the other hand, it's not great or excellent. It's not the best Disney movie of all time, or even of the last 5 years. I do believe it's overrated, over-hyped and over-saturating, well, everything. Over all, I'd give it a 3 1/2 star rating.

As far as a sequel, I think Disney will do a good job with it, but I also think a lot of people would be just as happy without one.

But that's just me.


http://ic.pics.livejournal.com/kristyfurrow/4373887/11462/11462_original.gif

What do you think?

Friday, April 25, 2014

My Week in Review: Beware of Dragons



Beware of Dragons

“Happiness is like the enchanted palaces we read of in our childhood, where fierce, fiery dragons defend the entrance and approach; and monsters of all shapes and kinds, requiring to be overcome ere victory is ours.”
I found this in The Count of Monte Cristo and it struck me as exceptionally beautiful. I haven’t yet decided whether it’s just the allusion to palaces and dragons and victories that I love so much, or whether there’s a piece of wisdom hidden here.
A few weeks ago I wrote about how our attitude is a matter of choice. Bad day or no, we can still choose to delight in it. I think this is Dumas’ more poetic way of saying that.
Brought to mind is the old seafarer’s warning, “Here be dragons.” It was not, as one might suppose, a caution against sea monsters, but a caution against the unknown. This phrase, along with depictions of serpents, were used on old charts to mark unmapped territory.
I think this phrase could be used in real life, the dragons those unknown threats to our daily happiness. As we leave an old week and enter a new, I say, “Beware of dragons.”

The most important thing to happen this week is that I’ve delved back into polishing my middle grade manuscript, Rodney and the Gonjii. I never intentionally stop working on this, but Important and Time Sensitive Stuff always seems to divert me on long detours. Making time for writing is the most important thing a writer needs to know, but it’s also something we (at least I) must continually work at.

Vocab Fab

·     Muddlehead: Confused or inept. Made even more entertaining by the fact I pulled it from The Count of Monte Cristo. One just does not expect to find what one could easily hear Toph using to insult Sokka in classic literature.
·     Staid: sedate and settled in habits or temperament, sometimes to the point of dullness


The Reading Nook

This week I finished:
·     The Stone of Valhalla by Mikey Brooks, rated 4 stars.
·     Mary Poppins, She Wrote by Valerie Lawson, rated 3 stars.

I was disappointed I didn’t enjoy this biography by Lawson more, but I suppose it’s not terribly surprising. This biography of P.L. Travers was touted as the basis for the movie Saving Mr. Banks, which is the real reason I wanted to read it. Imagine, I read a bio of P.L. Travers because I wanted to know more about Walt Disney, and it wasn’t my favorite read. There’s probably a lesson here somewhere. That’s not to say the book isn’t well written or researched; I only found it wasn’t to my interest. I am, however, even more intrigued to see how they pull off the movie.

But now for the most important question of the week: What are YOU reading?